Biography of Jeremy Irons

Biography of Jeremy Irons:- He studied at the Sherbourne School in Dorset and began his relationship with the scene by enrolling at the prestigious Old Vic Theater School. For two years he trained as a student and after joining the school company, where he was forged in the Shakespearean theater, but also in works by contemporary authors.

Biography of Jeremy Irons

  • Born:- 19 September 1948 (age 68), Cowes, United Kingdom
  • Height:-  1.87 m
  • Awards:-  Academy Award for Best Actor, 
  • Spouse:-  Sinéad Cusack (m. 1978), Julie Hallam (m. 1969–1969)

In 1971 he moved to London, where he made his debut in the musical Godspell , playing John the Baptist with David Essex. Thereafter he made a dent in the London West End, while he began to appear on television in such series as The Pallisers (1974) or Love for Lydia (1978).

Her first appearance in the cinema was in Nijinsky, a true story (1980), under Herbert Ross, and the following year would take its cinematographic takeoff with The Woman of the French Lieutenant (1981), adaptation of the novel of John Fowles Directed by Karel Reisz. The story, which revolves around the shooting of a movie set in the nineteenth century, was a critical and public success and won five Oscar nominations, including Meryl Streep for the best actress.

The consolidation of Irons as an actor, however, would come, curiously, thanks to television; The series Return to Brideshead (1981), based on the novel by Evelyn Vaughn, gave him the character of Charles Ryder, who was originally to play his partner in the series, Anthony Andrews. Using as a springboard A love of Swann (1984), a French-German co-production directed by Volker Schlöndorff (who obtained the BAFTA for best foreign film), Irons demonstrated his possibilities within the drama, which made him ideal to interpret Father Gabriel In the film of Roland Joffé, The mission (1986), another international success in which Robert of Niro, Liam Neeson and the soundtrack of Ennio Morricone accompanied him.

Inseparables (1988), by David Cronenberg, gave him the opportunity, in addition, to interpret two twin characters that kept the spectator attentive to the different personalities; The story was based on the real life of twins Steven and Cyril Marcus, who were found dead in their apartment in Manhattan after ingesting a large number of barbiturates. The fact was later collected in the novel Twins  that wrote Bari Wood and Jack Geasland, published in 1977. Irons obtained by this paper the prize to the best actor in the Fantasporto.

After this title, others of a lesser sort took place, both in the cinema ( Australia , 1989, by Jean-Jacques Andrieu) and in television ( Danny, world champion , 1989, who starred with his son Samuel and his father- Cusack). The mystery Von Bülow (1990), by Barbet Schroeder, was based on the real case and the book written by defense lawyer Alan J. Dershowitz. The role of Klaus von Bülow provided Irons the Oscar for best actor.

In the nineties he was tagged as “the attractive man who liked smart women”. His choices were based on atypical stories, specializing not only in drama but in tormented characters. Stephen Gyllenhaal’s The Water Country Professor (1992), who has difficulty relating to his students and his own wife; The member of Parliament who passionately falls in love with his son’s betrothed in Wound (1992, adaptation of Josephine Hart’s novel which directed Louis Malle); Or the French diplomat who in David Cronenberg’s M. Butterfly (1993) dismounts his life for the sake of a Chinese opera singer who is not what he seems to be.

The actor has not deprived in its artistic trajectory of choosing the scripts that seemed to him more interesting, regardless of the gender or the repercussions. The very M. Butterfly or Lolita (1997, Adrian Lyne’s version of Nabokov’s classic) were not exempt from controversy. On the other hand, he tempted the animation by lending his voice to the evil Scar of El rey león (1994), by Roger Allers and Rob Minkoff; And was tanned in the gym to play another villain, Bruce Willis’ antagonist in John McTiernam’s The Crystal Jungle III: Revenge (1995).

His works to the orders of European directors included the house of the spirits (1993), of Bille August (adaptation of the novel of Isabel Allende) or Stolen Beauty (1996), of Bernardo Bertolucci, undoubtedly launching vehicle for the actress Liv Tyler. For these last Irons was nominated to Golden Satellite like better actor.

Another exotic jewel in his filmography was Wayne Wang’s The Chinese Box (1997) and screenplay by Jean Claude Carrière, a parable of Hong Kong’s break with Britain and its return to the Republic of China, embodied in the two characters played By Irons and Chinese actress Gong Li. His closest titles to commercial cinema in this decade were The Man in the Iron Mask (1998), Of Randall Wallace (next to an equally attractive distribution, composed by John Malkovich, Gerard Depardieu, Gabriel Byrne or Leonardo DiCaprio); And Dragons and Dungeons (2000), by Courtney Solomon, film translation of the famous role-playing game.

The 21 century began to be especially fruitful for the actor, who took part in five titles, including The Time Machine (2002), adaptation of the novel by HG Wells, carried out by his great-grandson, Simon Wells. He had dedicated to animation; Or Against the Current , where he gives life to Scott Fitzgerald. And under the orders of the Italian director Franco Zeffirelli shared deal with Fanny Ardant in Callas forever , film that portrays the decline of the last years of the great bel canto diva.

His last works have been Matilde (2004); The Merchant of Venice (2004); Knowing Julia (2004), in which she shared prominence with a splendid Annette Bening; And the medieval epic of Ridley Scott The Kingdom of Heaven . In May 2005 he received the William Shakespeare Prize (popularly known as “Will”) for his work in classical theater. Precisely, that same year it released for the cinema the merchant of Venice , that was resisted to be taken to the big screen (Its evident anti-Semitism did not facilitate it) and that was shot by Michael Radford; In it interprets convincingly to Antonio, and is measured with a magnificent Al Pacino in the paper of Shylock. Jeremy Irons is married to Sinéad Cusack.