Biography of Alberto Sordi

Biography of Alberto Sordi:- Alberto Sordi was born on June 15, 1920 in the popular neighborhood of Trastevere in Rome. He was the last of the four children of the music teacher Pietro Sordi and the teacher Maria Righetti, illustrated Romans and workers who spent their lives in the classrooms, so that during his first years he was in the care of his brothers, Savina, Aurelia and Giuseppe .

Biography of Alberto Sordi

  • Burn:- 15 June 1920, Trastevere, Rome, Italy
  • Died:- 24 February 2003, Rome, Italy
  • Buried:-  27 February 2003, Campo Verano, Rome, Italy
  • Sibblings:-  Aurelia Sordi, Savina Sordi, Giuseppe Sordi
  • Parents:-  Maria Righetti, Pietro Sordi

Already since very young Albertino demonstrated such vocal gifts that his father, then occasional orchestra conductor at the Teatro de la Opera in Rome, channeled his steps towards singing. At ten years and until the premature transformation of his voice he sang as a soprano in the choir of the Sistine Chapel, and shortly after he began to participate in the Italian tours of the Piccola Compagnia del Teatrino delle Marionette.

In 1931 he entered the Istituto d’Avviamento Commerciale Giulio Romano, but he sensed already that his vocation was the theater and, to the point of finishing his studies, he abandoned them to dedicate himself to the spectacle. Then, after a first experience in 1936 with the record company Fonit, in which he recorded an album with children’s stories, he went to a private commercial academy and, more to the satisfaction of his parents than to his own, he got his diploma. After this act of goodwill, he went to Milan and entered the Accademia dei Filodrammatici, but his “bad diction” – the strong Roman accent – was an early expulsion.

The famous Accademia would regret this episode, and almost seventy years later, in 1999, it wanted to recoup its error by granting an honorary doctorate. That first failure, far from discouraging him, prompted him to make the supposed “defect” a virtue, and turned that way of speaking on the axis of his comic.

Bender, assistant, comedian and radiophonist

Again in Rome he won a Metro Goldwyn Mayer doubling as Oliver Hardy’s doublers and dubbing was one of his most recurring economic outings during the next decade, in which he voiced other actors – Robert Mitchum, Victor Mature, Anthony Quinn- , Even Italians, like that of a first-rate Marcello Mastroianni, apart from many “characteristic” in an endless number of films filmed in Cinecittà. Still in 1937, it debuted like imitator of Ollio (the Italian name of Oliver Hardy) with the pseudonym of Albert Odisor and obtained its first contracts in the cinema like extras in the films Scipio the African (1937), of Carmine Gallone, and Il feroce Saladino (1937), by Mario Bonnard. And the following year “qualified” his activity as a magazine boy in the company Riccioli Primavera.

It was the theater of magazine, already as presenter and comic actor, that would give to him by those years the greater satisfactions and not the cinema, already with brief papers in a series of films ( La principessa Tarakanova , 1938, La notte delle beffe , 1940 , Cuori nella tormenta , 1941, Le signorine della villa accanto , 1942), already co-starring in I tre acquilotti (1942) , by Mario Mattoli.

In those years so convulsive and so many changes – military service, the death of his father in 1941, the transfer of the family to the historic center of the city, the war …, light theater was his great departure, and Even more so after the liberation of Rome, in which he turned to political satire with Imputati … alziamoci! , Of Michele Galdieri, and its name appeared for the first time in big letters in the posters of the spectacle.

In 1947 he made radio debut in variety programs such as Rosso e nero and Oplà and with his first character, “Il Signor says”, a perfect prototype of Italian seen from the irony that showed his acute ability to perceive, obtained high Audience ratings that increased with new creations during the following years – “Mario Pio”, “Il compagnuccio della parocchietta”, “Il conte Claro” – , which earned him the Maschera d’Argento the best radio actor in 1949 and 1950, and A program of his own, Il teatrino di Alberto Sordi (1951), in addition to a popularity such that he also made a series of record sales with songs written and sung by him such as Nonnetta , Il carcerato , Il gatto , Il milionario ,among other.

A Late Discovery in the cinema

When the film finally opened its door, directed by Fellini, De Sica, Franco Rossi, Luigi Zampa, Dino Risi, Mario Monicelli, Antonio Pietrangeli, Nanni Loy, Francesco Rossi, Alberto Lattuada, Luigi Comencini, Mauro Bolognini and Ettore Scola , His works enjoyed the favor of the most serious critic. Films like A Hero of Our Time (1955), The Great War (1959), The Last Judgment (1961), all home (1962), difficult to Life (1962), The speculator (1963), The Witches (1966) An Italian in America (1967), Power does not forgive (1969), Lo scopone scientifico (1972).

Since 1966, in addition, it extended its cinematographic work to the realization. After the success of his debut, An Italian in London (1966), Sordi directed eighteen films, all starring him, including some of great significance in criticism or the public as Io so che tu che sai io so (1982 ), Il tassinaro (1983), Nestore. L’ultima corsa (1994) and Encounters forbidden (1998), a sentimental entanglement comedy between an octogenarian and a thirty-year-old (Valeria Marini) that he presented at the San Sebastian Festival in 1999, where he was honored, .

The private person

Sordi never revealed anything about his private life, and he never married. He never knew a relationship. The attachment to his mother earned him the nickname of Mamone , but the years made him a symbol, and in the long run the affectionate Albertone with which his compatriots gave him more than the unconducting gossip. After the death of his mother in 1951, the family’s affection continued as always, and his brothers spent all their lives by his side.

The last months, ill, passed them to the care of his sister Aurelia, practically prostrate in its residence of the Piazza Numa Pompilio, next to Via Appia, where it died with a bronchopulmonary disease. The ardent chapel, which was installed in the Giulio Cesare del Campidoglio hall, home of the Roman town hall, where about sixty thousand people passed, and the funeral in the basilica of St. John Lateran, broadcast live by the RAI, conferred the proper pomp To the great characters. Sordi was undoubtedly such as Fellini, Mastroianni or Gassman, who preceded him in his departure.

The archetype of the average Italian

Creator of an unsurpassable archetype of the average Italian throughout a filmography that adds nearly two hundred films, scriptwriter of some of his titles and director of a score of them, Alberto Sordi was the Actor in capital letters that touched all the records at what Along a career spanning more than six decades.

Sordi managed to become popular from a very young age, and he never lost that privilege, but there was a time, between the mid-fifties and the end of the next, when he touched the sky with his hands. His late discovery for cinema-he had been marching for an eternity and had already entered his thirties-came after having penetrated almost every facet of the trade and thanks to his friendship with Vittorio de Sica, with whom he founded in 1950 Producer PFC (Produzione Film Comici) with the first task of transferring to the screen a successful radio personality created by him.

The film ( Mamma mia, che impressione ! , 1950), however, did not meet expectations, but there was a young Federico Fellini to give him the necessary support with two consecutive titles The Sheikh White (1952) and The Useless (1953), Which for the actor translated into an immediate popularity and an intense activity.

In 1954, for example, thirteen films released by him were released, and the following year another eight. Among them An American in Rome (1954) by Steno, who extended his fame abroad and led President Harry Truman, in appreciation for the good propaganda that made the United States in the film, invited him to Kansas City, did Handing over the keys to the city and appointing him governor in an honorific capacity.

From then until he was honorary mayor of Rome for a day, that of his eightieth birthday in June 2000, he obtained numerous recognitions-four Nastro d’Argento, a Golden Globe, a Silver Bear, seven David di Donatello, the Legion Of Honor in Cannes, the Golden Lion of Venice for his entire career … and many other tributes, but it was two years later , in 2002, when the actor claimed to have received the best gift of his life to know that he had entered In the schools and institutes of his country the series of 36 episodes about the vices and defects of the Italians that he made between 1980 and 1987 for RAI, Storia di un italiano: the collage of sequences extracted from his own films constitutes a very faithful chronicle Of the values ​​and customs of the average Italian throughout the 20th century.