Biography of Adrien Brody :- Adrien Brody was born in New York City, Queens District, on April 14, 1973. He was educated at a neighborhood college named Woodhaven and completed his classical studies at Fiorello LaGuardia High School.
Biography of Adrien Brody
- Born:- 14 April 1973 (age 44), Woodhaven, New York City, New York, United States
- Height:- 1.85 m
- Nationality:- American
- Awards:- Academy Award for Best Actor,
- TV Shows:- Houdini, Breakthrough, Annie McGuire
His mother, Hungarian photographer Sylvia Plachy, a famous reporter for The Village Voice, stated in a recent article in the popular New York newspaper that Adrien had revealed an incredible ease in front of the camera since she was very young, since she used to accompany her in her reports and always He managed to appear in the photographs; On the other hand, he was very observant, and once at home he imitated the people he had seen on the street or the subway, and he also used to offer magic shows to his friends at birthday parties.
These skills convinced her that she should direct him to acting, and at eleven he sent him to study at the Academy of Dramatic Art in New York; Later, by his own decision, he continued at the High School for the Performing Arts. Nor was history professor Elliot Brody oblivious to this commitment acquired with his son’s future profession, and he took a sabbatical year to accompany him during his first stay in Los Angeles.
He began acting at age twelve. Her first job was to play one of Snow White’s seven dwarfs in a Queens community center, but soon made her debut in Off Broadway with Family Pride in the fifties , and soon appeared on television, first on the telefilm Home at Last , from PBS, then on the CBS series Annie McGuire , and later on the same chain, with a more prominent role in Mary Tyler Moore’s show.
At the end of 1988 was chosen in a casting and in a few weeks began filming of Life without Zoe , the episode that Coppola filmed for Stories of New York (1989). Such an extraordinary debut, however, did not have the immediate effects to be expected, and it was three years before his peculiar features caught the eye of another director.
It was the Argentine director Juan José Campanella, who was then a resident of New York, where he began his career, who was looking for very special teenagers for his first feature film, El niño que cria puta (1992), a small jewel of indie cinema that had an appreciable distribution international. But neither this nor his next work, King of the Hill (1993), which he enjoyed at the box office of the newly-acquired prestige of its director, Steven Soderbergh, catapulted him to fame.
He had to work hard and choose well. He rejected, for example – and congratulates himself – an offer to intervene at Pearl Harbor (2000), in favor of long preparation at rallies, union meetings and Hispanic forums to be one of the protagonists of Pan and Roses (2000) , A new manifestation of the claim of the British Ken Loach, in this case of a group of Mexican cleaners without papers in Los Angeles , that was far from the magnificent results of other titles of his.
The major setback of his career, however, had already suffered with The Thin Red Line (1998), intelligent anti – war argument of singular Terrence Malick. Brody was hired for one of the main roles, and as such spent more than six months of hard shooting in Australia. Before the premiere of the film, Vanity Fair magazine presented it under the title “soon will be competing in the big league” and equating his name to his fellow actors Sean Penn and George Clooney.
But, apparently, its protagonist paper was trimmed in the assembly table and was only in one sentence. The only positive result of this sad experience is that the unpredictable Malick recommended to Spike Lee as the great actor he is, and showed him the cut scenes of his film.
The restless New York director realized that he had the right actor to play the punk suspect murder in Nobody is safe from Sam (1999) and Brody was able to show once again his gifts of transformer with a multicolored crest on the outside and a deep look By which his inner darkness was visible. They say that it was in that young man with punk aesthetic victim of intolerance where Polanski saw his Szpilman. What he should have seen, in fact, was the capacity of transfiguration of its future protagonist.
Brody says that the film that made him see for the first time the actor’s metamorphosis was The Hunter (Michael Cimino, 1978). From that vision he understood that each character demanded a special personification, and since then everyone who incarnates usually accompany during the preparation, filming and until a few weeks after the filming finished: “Something like the overweight of Robert de Niro In Wild Bull (Martin Scorsese, 1980), who even changed it to character … ». This was undoubtedly an implication comparable to that which he himself carried out in The Pianist .
The top: the Oscar
Brody took on the role of Wladislaw Szpilman, a Polish pianist who managed to survive the Nazi occupation in Warsaw, after another 1,400 aspirants who responded to the announcement of a British newspaper were rejected.
If it was his vulnerability, the Judeo-Hungarian and Hungarian roots that perhaps sheds light on his musical notions or appearances (he plays the synthesizer and composes hip hop, certainly nothing to do with Chopin, but they say that he was able to play the piano himself on Nocturne (“I looked at the camera without saying anything for many minutes: the final half of the film is silent because the character lives isolated and In silence , maybe that was it. “), It does not matter much anymore, given the superb results and the recognition obtained all over the world.
Part of the legend of Brody will be to tell that to soak the character left his apartment in Manhattan, sold his car and, very short currencies, went to live in Europe, where he underwent a strict diet, during the six months prior to filming. He was in Warsaw and the former East Germany, visited the concentration camp of Auschwitz and the military barracks of Jüteborg, and Andrzej Szpilman, son of the musician. At the end of such a hard experience he had lost 15 kilos and said his girlfriend, but his mind and body were prepared to win the celebrity.
And he got it, first in Europe, where he won the César for his role, and then in the film mecca, United States, where, against all odds (it was his first nomination and competed with established actors like Michael Caine or Jack Nicholson) The Hollywood Academy of Motion Picture Arts and Sciences took him to the top by awarding him the Oscar for best actor.
Fifteen years of work and more than twenty titles to his credit did not make of Adrien Brody an actor known by the great public, and in spite of that in his curriculum they include directors of the prestige of Francis Ford Coppola, Spike Lee or Ken Loach . The Oscar compensated for that unfair anonymity, making him the youngest winner in the history of the prize.
And all thanks to a director vetoed in the United States, whose record makes him one of the most “rescued” characters in the dark Hollywood chronicle. But Roman Polanski is for everyone – and for Hollywood in particular – the author of three or four masterpieces of cinema, and is respected as such. He is also known for his fame as a demanding director with actors.